

Even itsshadowis cut.
Colored glass over clear, cut on a turning wheel. Wherever we cut, the color comes away, and sunlight lays the pattern on the table.
Cutting
Marking
Lines first,then the wheel.
A few guide lines are drawn on the colored surface. Everything else is laid out by eye.
Rough cut
Glass againsta turning wheel.
A diamond wheel cuts the groove under a trickle of water. A fresh cut is white and cloudy with fine scratches.
Polish
Polished,it turns clear.
Finer wheels, then polishing, take the cloudiness away until the groove lets light through.
Move the cursor to move the sun.

Choose it byits shadow.
The pattern is the same. The color of the light it throws is not.
The darkest blue. Inside its shadow, the cut lines stand out white.
Its red shadow grows richer as the evening light gets lower.
A yellowish brown. The brightest shadow of the three, and the easiest to read in detail.
80 mm across, 92 mm tall. Diamond and nanako cut.
Where two shadows cross, only light that passed through both glasses gets through, so the color turns deep and dark.

About SHOEI
SHOEI is an Edo kiriko workshop that designs the shadow along with the glass. Before a pattern is finished, we check how it falls on a table by a window.
This workshop, its glasses and its makers do not exist. SHOEI is a fictional brand created by Novaia Labs. Nothing here is for sale.
How Edo kiriko is made
- MarkingGuide lines are drawn
- Rough cutGrooves are roughed in
- Fine cutA finer wheel refines them
- SmoothingA stone wheel evens the surface
- PolishingThe cuts turn clear
Edo kiriko is said to have begun in 1834 with Kagaya Kyubei, a glass merchant in Edo. It became a Tokyo traditional craft in 1985 and a national traditional craft of Japan in 2002.

Put it wherethe light falls.
On a windowsill, or the table at dinner time. A kiriko pattern is finished by the light that hits it.